NOCTURNE
Sound: For each component by Yannick Franck
Dimensions Variable. Here: 10’x22’x12′. The individual moving parts are each 5 ½” x 11″ x 5 1/2″.
Paint, polished aluminum, microprocessor, circuitry, motors
(Photos and video recording by Chen Chang-Chih)

Exhibition Venues
Oboro, Dream Mechanics, Montreal, Canada (Curator: Tamar Tembeck), 2016.
Boston Sculptors Gallery, Boston, MA, Mechanical Universe: Nocturne, 2009.
Kuandu Museum of Fine Arts, Taipei, Taiwan, Collaboration: Anticipating the Art of the Future, 2008.

Press
Apple Books, Letter to Lucy, A Manifesto of Creative Redemption–In the Age of Trump, Fascism and Lies, p. 284, 2017, by Frank Schaffer.
Le Devoir, “Peintures cinétiques et chatouilleuses,” Nov. 19, 2016, by Jérôme Delgado.
KdMoFA Artist in Residence Program, Kuandu Museum of Fine Arts, p. 18, January, 2013.
Boston Globe, “Various Evidence of Enigma,” July 22, 2009, by Cate McQuaid.

Related Residency
Artist-in-Residence at the Kuandu Museum of Fine Arts, summer 2008.

Related Talks
Painting: In Praise of Frozen Sound, Université du Québec à Montréal, Montreal, Canada
National Taiwan Museum of Fine Arts, Taichung, Taiwan, 2008.
Hualian Creative and Cultural Part, Hualian, Taiwan, 2008.
Fulbright Center, Taipei, Taiwan, 2008
Kaoshiung Normal University, Kaoshiung, Taiwan, 2008.

Related Workshop
Collaboration: Anticipating the Art of the Future Workshop at the Taipei National University of the Arts, summer 2008, in part supported by the Fulbright Senior Scholar Specialist Program.

Video
Without text: https://vimeo.com/100345437